Audiovisual digitisation, preservation and long-term access
Register now for PrestoCentre’s Preservathon on AV Preservation Storage Solutions, taking place in Turin on 25 – 26 June 2014. Learn to select the best storage
EBU/GESAC/ICMP/ECSA recommendation for the licensing of broadcast-related online activities
Four European umbrella organizations: European Broadcasting Union, European Composers and Songwriters Alliance, European Grouping of Societies of Authors and Composer and the Global Voice of Music Publishing officially released
EUscreenXL Conference 2014 Rome – CALL FOR PAPERS AND WORKSHOPS
EUscreenXL Conference 2014 Rome CALL FOR PAPERS AND WORKSHOPS From Audience to User: New Ways of Engaging with Audiovisual Heritage Online EUscreenXL welcomes You to
What makes good metadata? EUscreen meets Europeana Aggregation team
We all know that good metadata is a love letter to the future – but what makes it good? At Europeana a Task Force has
CALL FOR PAPERS: Sound and (Moving) Images in Focus
Call for Papers: Sound and (moving) images in focus How to integrate audiovisual material in Digital Humanities research? Workshop at DH2014, 8 July 2014, Lausanne,
Radio Days: The keys to constructing collective identities
Transnational Radio Encounters (TRE) is an ambitious research project. It pulls together radio researchers with varying scopes from across the Northern European hemisphere. Together, they
Scope: An Online Journal of Film and Television Studies issue 26 now published
Scope is a fully peer-reviewed online journal edited by staff and students in the Department of Culture, Film and Media and Institute for Screen Industries Research
Ski flying in Planica comes back this weekend!
In 1934 a small alpine valley in northwestern Slovenia started its history making in ski jumping and ski flying. The first giant ski jumping hill
Lost & Found in Translation
The challenge of translating and subtitling EUscreen’s 40,000 items of television and film content was explored in a special one-day workshop held in November London.
FIAT/IFTA Seminar on Television Documentary
On 13 and 14 March, the Netherlands Institute for Sound and Vision hosted the third seminar of the Television Studies Group of the International Federation
A New Look for the EUscreen Portal
The EUscreenXL project was set up with two key objectives: to increase the amount of audiovisual material which can be accessed via Europeana, Europe’s cultural
EUscreenXL responds to EU copyright consultation
EUscreenXL’s objective is to provide online access to audiovisual archives and collections. EUscreen as a foundation represents its members. It voices the opinion of audiovisual
Call for Papers on Convergent Television(s)
CfP: VIEW Journal of European Television History and Culture Vol. 3, Issue 6 Convergent Television(s): Political Ideas, Industrial Strategies, Textual Features and Audience Practices. Since
EUscreen recommends: “Television Audiences Across the World. Deconstructing the Ratings Machine”
“This collection is a most comprehensive book on television ratings systems. It offers a remarkable breadth of case studies of nations from North and South
Registration now open for the FIAT/IFTA Television Studies Seminar on Documentary
FIAT/IFTA, the International Federation of Television Archives, organizes a two-day international seminar on television documentary. The seminar is organized by the FIAT/IFTA Television Studies Commission
The Future of Obsolescence: Orphan Film Symposium for the first time in Europe
From March 30 to April 2nd, 2014 the international Orphan Film Symposium takes place at the EYE Film Institute in Amsterdam. The ninth edition of
Call for Papers for the Special issue of Critical Studies in Television
Arts & Humanities Research Council (AHRC) invites proposals for articles for a special issue of Critical Studies in Television:‘ Spaces of Television: Production, Site and
New Publication: ‘Behind the Screen: Inside European Production Cultures’
“Behind the Screen explores the complex plays of power and imagination that shape the production of European film and television. Ranging widely, the authors provide